lost property

June 28, 2017

Philippa would like to thank the gentleman at BABE 2017 who gave her the idea for this book… Lost & Found follows on from a previous edition called On the Line, but this time uses left over train tickets and a 1974 Southern Region timetable to form a maze book that documents all the weird and wonderful items left on the London Transport system. This is probably the smallest book in the Caseroom catalogue, measuring just 45 x 55mm

local heroes

June 27, 2017

The Caseroom Press are very pleased to be making not one, but two more appearances on the Eye Magazine blog this week.

As part of their regular Books Received section, Barrie’s Word Disco gets a mention, as does Steven Heller & Gail Anderson’s latest tome, Type Tells Tales – which both Philippa and Barrie appear in – Eye describe it as a ‘stimulating compendium of type experiments and explorations, both contemporary and historical. These range from familiar classics (Marinetti, Cage, Massin, Drucker, Corita Kent) to local heroes such as Alida Sayer, Angie Butler & Philippa Wood and Sam Winston.’

revised edition a+e*i=o:u/

June 22, 2017

Philippa has recently been collaborating with Tamar MacLellan on a submission for the call for entries theme of Intersect by we love your books. The coincidental chance purchases (on the same day) of two charity shop embroidery books, one type based, the other pattern based, by the two artists led to a project that aimed to use a simple system to develop a single book.

Entitled Revised Edition, a typewriter symbol was allocated to each of the five vowels. The key enabled us to interpret the text through the development of a series of patterns typed on top of the pages from one of the existing books. This entire process meant that the book pages were sent back and forth several times, as each person typed their particular sections, at one point 6 pages were lost in the post(!)… so the book has 6 blank pages.


The final publication uses pattern sections as end-papers, and one of the existing covers was overprinted and trimmed enabling us to utilize it as new covers.

For more information on this and other collaborative work: https://meetinginthemiddleblog.wordpress.com

 

LENvention 5th anniversary – wood (type)

June 18, 2017

 

This weekend the Caseroom Press were the proud hosts of the LENvention 5. This annual event instigated at UWE, Bristol by Angie Butler in 2012, brings together a small group of letterpress practitioners to share ideas and good practice whilst working together to produce a body of work. This year the theme was how we use our senses when negotiating a print workshop. The only parameters were 1. the finished book would be A2 folded to A3 – this enabled us to explore the potential of the Farley proofing press – and 2. We could only use materials and equipment found within the caseroom. Despite the small (but perfectly formed) Caseroom Press, and having to contend with the hottest weekend of the year, we managed to work effectively to produce a single edition loose leaf book, entitled Feeling for an edge, the book will eventually be case-bound.

migrating birds

June 15, 2017

A few months ago Philippa was contacted by Stephen Fowler – he of Rubber Stamp fame – and invited to be part of an exhibition called Migration. Each artist was asked to produce a single A6 postcard of a bird either perching or in flight. A total of 100-200 postcards will form an exhibition that hopes to draw attention to the plight of thousands of children and their families who are, as a result of oppressive regimes, violence or poverty, forced to migrate to safer places in the world.

The exhibition runs from 9-30 September 2017 at the International Centre for the Picture Book in Society (ICPBS) at Worcester University, in collaboration with BIBIANA, the International House of Art for Children in Bratislava, Slovakia and will coincide with the Biennale of Illustration in Bratislava (BIB) and its symposium.

Philippa’s response – produced a day before the dealine(!) used a simple letterpress block that was printed then hand tinted.

https://www.worcester.ac.uk/discover/international-centre-for-the-picture-book-in-society.html

http://stephenfowler72.blogspot.co.uk

greetings to nyc

May 26, 2017

This week we heard from Angie Butler who shared the good news that the letterpress animation made from LENvention 1 in 2013, of which Philippa was part of, will be shown at the New York Centre for Book Arts from July-September 2017 as part of the exhibition ‘Animation and the Book Arts’ – having visited the Centre several times, we never imagined that we would ever have work on show in NYC!

type tells tales

May 8, 2017

Many, many months ago we were approached by someone working for Steven Heller to see if we were interested in having some work published in a new book he was producing with Gail Anderson – needless to say we jumped at the chance – and last week the rather wonderful Type Tells Tales arrived on our desk. We feel honoured to be in such company as Werkman, Sam Winston, Paula Scher, Robert Massin, Marian Bantjes and many more type heroes and heroines.

fond farewells from uk to usa

May 1, 2017

Fond Farewells, the collaborative book project between Angie Butler and Philippa, is currently making its way to the US having been accepted for the Minnesota Centre for Book Arts upcoming exhibition – Reader’s Art: Control/Alt/Shift. The exhibition opens on 9 June-13 August at the prestigious MCBA, where by coincidence Angie will be speaking as part of the Book Art Biennial 2017 Symposium in July.

macro to micro – milan

April 19, 2017

It’s always lovely to discover that you have a book being featured in an exhibition, in this instance Philippa’s work will appear in Milan as part of the 34th Anniversary – Artists’ Books Archive.
An International Artists’ Books Exhibition from Macro to Micro.

Unfortunately she has no idea which book is being exhibited, although we suspect it could be The Inherited Sewing Box (2nd edition) – with illustrations by Jantze Tullett.

The exhibition will run from 25th May – 30th June 2017 and  is curated by Fernanda Fedi and Gino Gini. The Artists’ Books Archive in Milan was created in 1983 and is one of the most significant Archives in Italy.

 

blogging the blog

April 16, 2017

Eye magazine recently uploaded a post about Barrie’s Typographic Dante.

The piece talks about the starting point for the project – which began when he was a final year student at the Chelsea School of Art, way back in 1989.

The first roughs and preparatory sketches for Canto I.

Planning the Letterpress overprints in detail.

The original ‘note to self’, which led to a project that has carried on over the next 28 years (and counting).

The Typographic Dante is on display at the National Museum of Print, Dublin, until Wednesday 19th April and the exhibition has recently been reviewed by newsfour.ie.