Archive for the ‘collaboration’ Category

when will you learn that there isn’t a word for everything?

December 7, 2018

Two of Brenda Dermody’s remixed Typographic Dante prints are on show in the Nunns Yard Gallery, Norwich, tonight, as part of the joint exhibition ‘When will you learn that there isn’t a word for everything?

The prints waiting to be parcelled up earlier this week.

The show is curated by Kristy Campbell and you’ll be able to see it take shape on Instagram.

For more of Brenda’s work, see the 100 Archive (http://www.100archive.com/people/brenda-dermody)

 

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to call no1.

November 22, 2018

Barrie was delighted to be asked to contribute to the very talented Petra Schulze-Wollgast’s new magazine ToCall.

Inspired by the last issue of Tlaloc, published in 1970 and edited by Cavan McCarthy, ToCall was mimeo printed in an edition of 100 copies – with contributions by Amanda Earl, Derek Beaulieu, Kyle Flemmer (Canada), Anatol Knotek (Austria), Andreas Bülhoff, Moritz Grünke, psw (Germany), Rosaire Appel (USA), Fatima Queiroz (Brasilia), Anthony Etherin, Barrie Tullett (UK), Pete Spence (Australia), Joakim Norling, Lina Nordenström (Sweden) and Jesus Morentin (Spain).

Derek Beaulieu

Kyle Flemmer – Barcode Poems

Amanda Earl – The Vispo Bible: Genesis 42

Jesus Morentin – (48×96  48×72  48×24  36×54)

Barrie Tullett – Platen Rollin’

recovered/recorded

November 14, 2018

all alt. cover low

Philippa’s most recent collaboration with Tamar MacLellan is a small pair of concertina books that explore fragments of china that were unearthed whilst digging in the garden of a newly acquired house. Whilst much has been written on the subject of found pottery, there has been no substantiated conclusions as to why our gardens are littered with these (mainly) blue and white fragments. Having recovered in the region of 150 pieces from the garden, this book focuses on a small selection of a growing collection. The books are presented in an archive bag complete with record card and a fragment of china.

 

 

chatting and selling in london

November 14, 2018

table spf.jpg The Caseroom were happy to be able to attend the annual Small Publishers Fair at the Conway Hall in London at the weekend. Several new editions were on offer including a first outing for Philippa’s book about Enid Blyton Pinky Winky Doodle Doodle Dumm Dum and her recent collaboration with Tamar MacLellan  – a book called Recovered/Recorded. Barrie’s new edition of Gun Dog was also released. Thank you to everyone who was willing to engage in conversation about buried objects and completed questionnaires, and a big thank youto all the people who purchased our books.

LENvention 6

September 4, 2018

gpcIn August Philippa attended the annual LENvention workshop organised by Angie Butler (ABPress). The two day event is an opportunity for a group of letterpress practitioners get together to develop a body of work within a 48 hour period. The event was hosted by Lucy Guenot at Gloucestershire Print Cooperative, a lovely print facility in Stroud.
http://www.gpchq.co.uk

This year the group were joined by Jeff Rathermel – executive director at Minnesota Center for Book Arts, as they developed a series of artists’ books that responded to the theme of bookness (or bookishness).

pan pan

June 19, 2018

Philippa is pleased to be working with Angie Butler of ABPress again, on a collaborative project – entitled While you were sleeping. The project is the brainchild of Sara Burgess, who is hoping to get 100 presses from around the world to participate. Here she highlights the idea:

‘I propose a project to highlight those events that rock our every day. That makes me afraid for the future my five-year-old faces. That makes me ashamed of my privilege. That makes me cry when he can’t hear me. That depletes me, on behalf of our defenseless planet. That makes me fear the new treatment that women will face. That makes me say what the fuck, what the fuck, what the fuck. Just how does someone get away with this?
I call on the letterpress community to join me in print. To return to the truth. To print in facts, images, and lead type. Because in our type, we can convey beauty and messages,
and call attention to ugliness in ways that nobody else can.’

The brief was to select a newspaper headline from the past year, then set it and print it 100 times. Once they had selected their headline and made some joint design decisions, Angie worked independently on the first colour. On receipt of the prints, Philippa responded to the design/composition by overprinting.

poem of the day

May 28, 2018

Not that we’re out of the loop – but we’ve just found out we were yesterday’s poem of the day on the National Poetry Library website:

The image is taken from Brenda Dermody‘s folder of ‘remixes’ of Barrie’s original typographic illustrations for Dante’s Divine Comedy. These were created especially for the exhibition at the National Print Museum in Dublin.

The full set of four prints can be seen here: http://the-case.co.uk/dante-the-remixes.html

in the blue notebook

April 20, 2018

Philippa and Tamar MacLellan – a regular contributor to the Caseroom catalogue, recently submitted a co-written essay to The Blue Notebook Journal Vol 12, No.2– (published by Impact Press).
The article examines the collaborative practice of Tamar MacLellan and Philippa Wood through three of their most recent artists’ book projects. Having taken the decision to undertake new ways of working, the aim is to share something of this journey drawing upon pivotal WordPress blog posts which enabled the sharing and exchanging of individual, intellectual and emotional responses within the development of each project.
A big thank you to Sarah Bodman for publishing it, and our thanks too to Angie Butler who proof-read the first draft and offered invaluable feedback.

http://www.bookarts.uwe.ac.uk/news/#bluenotebook

revisiting windham reworked

February 15, 2018

This week Philippa and Tamar were able to visit Bucks County Museum to see their recent collaborative project – Windham (re)Worked within the context of the Ex Libris exhibition. Many of the works on show appeared to reflect the known genre of altered books and used a strong sense decoration to communicate an aspect of the book, whereas the pieces that held the most interest were those with an underlying concept, which was the approach taken within Windham editions.

windam1

below: work by other artists

 

windham re-worked

December 6, 2017

 

In September 2016 Philippa and Tamar MacLellan were invited to be part of an exhibition entitled Illuminating the discarded library (working title).The premise of the project was to select a book to alter from a collection of discarded library books previously housed within Christchurch College Library. Whilst they agreed to participate, neither artist was particularly interested in the altered book genre, therefore it was not until April this year that they began to develop the project. Having selected a pair of books The Windham Papers Volumes I and II* from the given list – they set out to explore whether or not working independently, to set of collaboratively devised rules and instructions, would affect or compromise creativity. Over an eight month period they took it in turns to each set an instruction, that used the book content as the basis for exploration and alteration.

The responses were made independently of each other and as the project developed each instruction enforced change upon the book in terms of form, function, appearance and identity.   The whole process was recorded and can be seen on:

https://meetinginthemiddleblog.wordpress.com

The books will be on display in the newly titled exhibition Ex Libris: Altered Books at Bucks County Museum, Aylesbury from 9 December 2017 – 24 February 2018