Archive for the ‘exhibitions’ Category

the typographic dante at the south bank centre

February 23, 2019

The Typographic Dante will have its London debut at the National Poetry Library, South Bank Centre this April.

30 years in the making, and counting, the exhibition will showcase illustrations from Inferno, Purgatory and Paradise.

As always, Barrie is at pains to point out that he has been busy with other projects as well as this one, but despite his glacial pace of progress he has finally dipped his toe into Paradise, the final book of the Divine Comedy.

DATES & TIMES: 30 Apr 2019–30 Jun 2019

WHERE: National Poetry Library, Level 5, Blue side, Royal Festival Hall.

For more information – see The South Bank Centre website.

https://www.southbankcentre.co.uk/whats-on/134924-typographic-dante-opening-event-2019

https://www.southbankcentre.co.uk/whats-on/134923-typographic-dante-2019

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cheerio and toodle pip to fond farewells

February 22, 2019

 

bookerspostersmPhilippa is happy to announce that Fond Farewells a book she collaborated on with Angie Bulter in 2016 has been accepted as part of the Idaho Booker’s Dozen; curated by Stephanie Bacon, Professor of Art and Director of Idaho Center for the Book, the exhibition will tour thirteen different venues in Idaho in thirteen months from March 2019 to March 2020.

04 ff

when will you learn that there isn’t a word for everything?

December 7, 2018

Two of Brenda Dermody’s remixed Typographic Dante prints are on show in the Nunns Yard Gallery, Norwich, tonight, as part of the joint exhibition ‘When will you learn that there isn’t a word for everything?

The prints waiting to be parcelled up earlier this week.

The show is curated by Kristy Campbell and you’ll be able to see it take shape on Instagram.

For more of Brenda’s work, see the 100 Archive (http://www.100archive.com/people/brenda-dermody)

 

pan pan

June 19, 2018

Philippa is pleased to be working with Angie Butler of ABPress again, on a collaborative project – entitled While you were sleeping. The project is the brainchild of Sara Burgess, who is hoping to get 100 presses from around the world to participate. Here she highlights the idea:

‘I propose a project to highlight those events that rock our every day. That makes me afraid for the future my five-year-old faces. That makes me ashamed of my privilege. That makes me cry when he can’t hear me. That depletes me, on behalf of our defenseless planet. That makes me fear the new treatment that women will face. That makes me say what the fuck, what the fuck, what the fuck. Just how does someone get away with this?
I call on the letterpress community to join me in print. To return to the truth. To print in facts, images, and lead type. Because in our type, we can convey beauty and messages,
and call attention to ugliness in ways that nobody else can.’

The brief was to select a newspaper headline from the past year, then set it and print it 100 times. Once they had selected their headline and made some joint design decisions, Angie worked independently on the first colour. On receipt of the prints, Philippa responded to the design/composition by overprinting.

poem of the day

May 28, 2018

Not that we’re out of the loop – but we’ve just found out we were yesterday’s poem of the day on the National Poetry Library website:

The image is taken from Brenda Dermody‘s folder of ‘remixes’ of Barrie’s original typographic illustrations for Dante’s Divine Comedy. These were created especially for the exhibition at the National Print Museum in Dublin.

The full set of four prints can be seen here: http://the-case.co.uk/dante-the-remixes.html

bound to bristol

February 20, 2018

Philippa is happy to have work featured in this upcoming exhibition:
BOUND to BRISTOL
Preview: Tuesday 20th March 2018, 4-7pm at the F Block Gallery, Bower Ashton Campus, UWE Bristol, UK
Running until Friday 23rd March, 5pm
Bound to Bristol is delighted to present a pop-up two-day exhibition, showcasing a collection of artists’ books.
This exhibition is inspired by and sourced from the personal collection of Sarah Bodman, senior research fellow in Artists’ Books at the Centre for Fine Print Research, at UWE Bristol.
Thank you to Sarah for the inclusion!

revisiting windham reworked

February 15, 2018

This week Philippa and Tamar were able to visit Bucks County Museum to see their recent collaborative project – Windham (re)Worked within the context of the Ex Libris exhibition. Many of the works on show appeared to reflect the known genre of altered books and used a strong sense decoration to communicate an aspect of the book, whereas the pieces that held the most interest were those with an underlying concept, which was the approach taken within Windham editions.

windam1

below: work by other artists

 

windham re-worked

December 6, 2017

 

In September 2016 Philippa and Tamar MacLellan were invited to be part of an exhibition entitled Illuminating the discarded library (working title).The premise of the project was to select a book to alter from a collection of discarded library books previously housed within Christchurch College Library. Whilst they agreed to participate, neither artist was particularly interested in the altered book genre, therefore it was not until April this year that they began to develop the project. Having selected a pair of books The Windham Papers Volumes I and II* from the given list – they set out to explore whether or not working independently, to set of collaboratively devised rules and instructions, would affect or compromise creativity. Over an eight month period they took it in turns to each set an instruction, that used the book content as the basis for exploration and alteration.

The responses were made independently of each other and as the project developed each instruction enforced change upon the book in terms of form, function, appearance and identity.   The whole process was recorded and can be seen on:

https://meetinginthemiddleblog.wordpress.com

The books will be on display in the newly titled exhibition Ex Libris: Altered Books at Bucks County Museum, Aylesbury from 9 December 2017 – 24 February 2018

summertime too

September 6, 2017

The recent collaborative book from Philippa and Tamar MacLellan – Revised Edition – was recently accepted for the ‘we love your books’ online exhibition of artists’ books curated by Emma Powell and Melanie Bush. This years theme was intersect – Revised Edition uses two books about cross-stitching, which were overprinted then intersected to form a single edition.

See link below:

http://rejectamenta.com/wlyb/intersect-2017/

revised edition a+e*i=o:u/

June 22, 2017

Philippa has recently been collaborating with Tamar MacLellan on a submission for the call for entries theme of Intersect by we love your books. The coincidental chance purchases (on the same day) of two charity shop embroidery books, one type based, the other pattern based, by the two artists led to a project that aimed to use a simple system to develop a single book.

Entitled Revised Edition, a typewriter symbol was allocated to each of the five vowels. The key enabled us to interpret the text through the development of a series of patterns typed on top of the pages from one of the existing books. This entire process meant that the book pages were sent back and forth several times, as each person typed their particular sections, at one point 6 pages were lost in the post(!)… so the book has 6 blank pages.


The final publication uses pattern sections as end-papers, and one of the existing covers was overprinted and trimmed enabling us to utilize it as new covers.

For more information on this and other collaborative work: https://meetinginthemiddleblog.wordpress.com