Archive for the ‘symposium’ Category

klang farben text

June 12, 2020

In early March of this year, Barrie was invited to take part in Klang Farben Text, a collaborative event of visual poetry at the Lyrik Kabinett in Munich. Organised by Chris McCabe and Steven J Fowler, ‘Klang Farben Text was a unique, one of a kind, three-day visual poetry festival of performance and exhibition inspired by the international concrete poetry movement of the 1950s and 60s. The project celebrated how that movement has impacted a new generation of poets and artists by engaging a dozen of the UK and Germany’s most dynamic visual poets, key to the contemporary European scene. The printed word was transformed into collaboration, recitation, film and performance, demonstrating how concrete poetry has transcended beyond the book and printing press into an experiential art form for the 21st Century’.

The keynote speaker on the first day was a very special guest, Eugen Gomringer, who opened the event with readings from his works.

Each of the collaborating poets then performed a piece of their own work (Barrie chose ‘A Song For An Art School) and a piece of significant English or German concrete poetry – for this Barrie chose Stuart Mills’ ‘Poems for my Shorthand Typist’, which was performed with apologies to Victor Borge.

Recordings of all the performances can be found on the European Poetry Festival Site, the British Council‘s literature page, or the Lyric Kabinett website.

talking about the design of poetry

July 22, 2019

The Poetry by Design Symposium at Leeds University made for a fascinating day. Fiona Becket (above) and Emma Trott chaired the panel sessions – and there was a wealth of insight from the speakers, as well as a fascinating selection of work as part of the exhibition.

 

Photo by Bronac Ferran

Barrie was the first speaker of the day and amongst other things, discussed the difficulty of ‘drawing’ fire with a typewriter.

Photo by Emma Trott

Photo by Bronac Ferran

And the particular advantages, and disadvantages of working with commercially ‘obsolete’ technologies(Believe it or not, he says he’d actually ironed that shirt).

The day ended with a series of performances, including the extremely powerful MOTHERBABYHOME by Kimberly Campanello.

In other news – The Typographic Dante was mentioned in an interview with Chris Warren (part of the Poetry Mini Interviews Blog) – he mentioned Barrie in the same breath as Christian Bok and Derek Beaulieu, so praise indeed.

 

poetry by design: a re-appraisal of visual poetics

July 15, 2019

Barrie has been invited to speak at the Poetry By Design symposium on visual and concrete poetry. Its aim is to stimulate conversations about visual poetics from the immediate pre-computer period while also considering the present moment and the futures of visual poetry.

This event coincides with the exhibition, ‘Poetry By Design’, which is open now until 23rd August in the Stanley & Audrey Burton Gallery, University of Leeds. Curated by Professor Fiona Becket and Dr Emma Trott, the exhibition displays work by poets including Bob Cobbing, Ian Hamilton Finlay, Dom Sylvester Houédard and Kimberly Campanello.

Please get in touch with Emma Trott with any questions: e.j.g.trott@leeds.ac.uk

Poetry By Design: schedule

9:30: Registration and coffee (Sheppard Room)

9:55: Welcome (Fiona Becket) (Education Room)

10:00: Panel I: (Education Room). Barrie Tullett – The Typographic Dante, Iris Colomb – Spill: showing and discussing a project between poetry and design

10:45: Panel II: (Education Room), Bronac Ferran – Hansjörg Mayer’s futura, Fiona Becket – Bob Cobbing, a British Internationalist, Natalie Ferris – The Intelligent Hand: Ana Hatherly and Visualising the Creative Act

12:00: Panel III: (Education Room), Julie Morrissy – “Looking and Listening”: Movement, Space, and Performance in Contemporary Irish Poetry, Florence Impens – The poem and the Archive: Kimberly Campanello’s MOTHERBABYHOME

12:45: Exhibition ‘tour’ and Q&A (Fiona Becket) (Education Room)

2pm: Panel IV: (Education Room), Alice Tarbuck – ‘‘An old frog/ jumps in’: Chinese and Japanese poetry in the work of Thomas A. Clark and Cid Corman’, Emma Trott – Language and Landscape: Simon Armitage’s Stanza Stones

2:45pm: Panel V: (Education Room), Greg Thomas – Poem Machines: Liliane Lijn, John Goodby – Purity, pop-up and performance: Peter Meilleur / Childe Roland and Anglo-Welsh-Quebecois concrete poetry

4pm: Roundtable (Workshop Theatre)

4:30pm: Readings: (Workshop Theatre), Sascha Aurora Akhtar, Vahni Capildeo, Kimberly Campanello

5:30pm: Finish

today is a truly blessed day, i have found a typewriter and cannot leave.

July 13, 2019

The Typographic Dante exhibition at the NCCD is now open to the public, and it looks absolutely wonderful.

It really is a delight to have the work showcased in its own space at the gallery.

The vitrines contain examples of sketchbooks and development work going back three decades.

As well as various editions of the Divine Comedy and other books inspired by it (apologies for the shadow).

 

A (working) typewriter from Barrie’s collection is part of the show, and it has proven to be very popular with visitors to the gallery (see the example above for the title of this post). Apparently, a few of the younger members of the staff team did need an induction into how to use the machine (‘It’s got margins and tabs… like Word!’).

The show is on in the Roof Gallery (4th floor) until the 13th of October and Barrie will be talking about the project at the Poetry by Design symposium at the University of Leeds, this Thursday (18th July).