Archive for the ‘typography’ Category

creatively inspiring

August 7, 2019

Barrie’s been featured on the Creative Review Website – as part of their Creative Inspiration pages.

The article features some thoughts about the Dante project, teaching at Lincoln, and the duality of progress and loss.

The Typographic Dante is currently on at the National Centre for Design and Craft, and the Southbank Centre.

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talking about the design of poetry

July 22, 2019

The Poetry by Design Symposium at Leeds University made for a fascinating day. Fiona Becket (above) and Emma Trott chaired the panel sessions – and there was a wealth of insight from the speakers, as well as a fascinating selection of work as part of the exhibition.

 

Photo by Bronac Ferran

Barrie was the first speaker of the day and amongst other things, discussed the difficulty of ‘drawing’ fire with a typewriter.

Photo by Emma Trott

Photo by Bronac Ferran

And the particular advantages, and disadvantages of working with commercially ‘obsolete’ technologies(Believe it or not, he says he’d actually ironed that shirt).

The day ended with a series of performances, including the extremely powerful MOTHERBABYHOME by Kimberly Campanello.

In other news – The Typographic Dante was mentioned in an interview with Chris Warren (part of the Poetry Mini Interviews Blog) – he mentioned Barrie in the same breath as Christian Bok and Derek Beaulieu, so praise indeed.

 

poetry by design: a re-appraisal of visual poetics

July 15, 2019

Barrie has been invited to speak at the Poetry By Design symposium on visual and concrete poetry. Its aim is to stimulate conversations about visual poetics from the immediate pre-computer period while also considering the present moment and the futures of visual poetry.

This event coincides with the exhibition, ‘Poetry By Design’, which is open now until 23rd August in the Stanley & Audrey Burton Gallery, University of Leeds. Curated by Professor Fiona Becket and Dr Emma Trott, the exhibition displays work by poets including Bob Cobbing, Ian Hamilton Finlay, Dom Sylvester Houédard and Kimberly Campanello.

Please get in touch with Emma Trott with any questions: e.j.g.trott@leeds.ac.uk

Poetry By Design: schedule

9:30: Registration and coffee (Sheppard Room)

9:55: Welcome (Fiona Becket) (Education Room)

10:00: Panel I: (Education Room). Barrie Tullett – The Typographic Dante, Iris Colomb – Spill: showing and discussing a project between poetry and design

10:45: Panel II: (Education Room), Bronac Ferran – Hansjörg Mayer’s futura, Fiona Becket – Bob Cobbing, a British Internationalist, Natalie Ferris – The Intelligent Hand: Ana Hatherly and Visualising the Creative Act

12:00: Panel III: (Education Room), Julie Morrissy – “Looking and Listening”: Movement, Space, and Performance in Contemporary Irish Poetry, Florence Impens – The poem and the Archive: Kimberly Campanello’s MOTHERBABYHOME

12:45: Exhibition ‘tour’ and Q&A (Fiona Becket) (Education Room)

2pm: Panel IV: (Education Room), Alice Tarbuck – ‘‘An old frog/ jumps in’: Chinese and Japanese poetry in the work of Thomas A. Clark and Cid Corman’, Emma Trott – Language and Landscape: Simon Armitage’s Stanza Stones

2:45pm: Panel V: (Education Room), Greg Thomas – Poem Machines: Liliane Lijn, John Goodby – Purity, pop-up and performance: Peter Meilleur / Childe Roland and Anglo-Welsh-Quebecois concrete poetry

4pm: Roundtable (Workshop Theatre)

4:30pm: Readings: (Workshop Theatre), Sascha Aurora Akhtar, Vahni Capildeo, Kimberly Campanello

5:30pm: Finish

today is a truly blessed day, i have found a typewriter and cannot leave.

July 13, 2019

The Typographic Dante exhibition at the NCCD is now open to the public, and it looks absolutely wonderful.

It really is a delight to have the work showcased in its own space at the gallery.

The vitrines contain examples of sketchbooks and development work going back three decades.

As well as various editions of the Divine Comedy and other books inspired by it (apologies for the shadow).

 

A (working) typewriter from Barrie’s collection is part of the show, and it has proven to be very popular with visitors to the gallery (see the example above for the title of this post). Apparently, a few of the younger members of the staff team did need an induction into how to use the machine (‘It’s got margins and tabs… like Word!’).

The show is on in the Roof Gallery (4th floor) until the 13th of October and Barrie will be talking about the project at the Poetry by Design symposium at the University of Leeds, this Thursday (18th July).

intriguing and peculiar

July 6, 2019

At the Southbank Centre, London, Barrie is currently ‘free and cheap’, and as of today, at the National Centre for Craft & Design, he’s ‘intriguing and peculiar’… and also one of Design Week’s Picks of the Month.

The Typographic Dante show is on at the South Bank Centre (Level 5 Lounge/Members Area) over the Summer and at the NCCD (4th Floor Gallery) until October.

https://nccd.org.uk/exhibitions/the-typographic-dante

As well as the typographic illustrations themselves, the exhibition at the NCCD contains some of the various editions of Dante’s Divine Comedy that Barrie has used as reference material and inspiration, his original sketchbooks from the Inferno and Purgatory series, examples of the materials he uses to create the images with – and – a typewriter should anyone feel the urge to make some art of their own.

national centre for craft and dante

July 2, 2019

The Typographic Dante exhibition is coming to the National Centre for Craft & Design (NCCD).

Opening on the 6th July, the show runs until the 13th October in the Roof Gallery on the 4th floor.

Work from the series is still on display in the South Bank Centre until September, which meant Barrie had to go through the entire set of prints going back 30 years to choose the set for the NCCD show.

He also took the opportunity to rework some pieces, including one of the earliest of the Purgatory images – Canto VII: The Rule of the Mountain. You can see a detail of the new illustration here, and the original drawing side by side with the new version.

On both occasions, the size of the sun was dictated by the roll of masking tape Barrie happened to have to hand. A new roll back in 2008 and an almost empty (different) roll in 2019.

It was also a chance to look at, reprint and extend the Paradise illustrations.

The work being prepped and sorted.

Ready for hanging.

Barrie would like to say a very big thank you to Lesley Farrell for inviting him to exhibit his work at the NCCD, to the University of Lincoln for their financial support, Bradley Oliver-White for his technical skills, and Jantze for being there to help select, frame and plan the hanging.

longer in london

July 1, 2019

The Typographic Dante will be on show in London throughout the Summer.

The show is still on in the foyer outside the National Poetry Library and in the Members Lounge.

A big thank you to Chris McCabe and Paul O’Sullivan of the South Bank Centre for supporting the exhibition.

london’s best design event(s)

June 23, 2019

It’s official. Not only free (and cheap) but one of London’s best design events.

The Typographic Dante is on at the South Bank Centre until the end of the month.

More events can be found here: https://www.designcalendar.io/london/events.

And don’t forget, when you get there…

Thanks to Catherine Dixon for the photo.

inferno and purgatory

June 14, 2019

Regular readers of our blog will know that Barrie has been working on an ongoing project for the last 30 years – and counting.

The Typographic Dante (currently on show at the National Poetry Library in London’s South Bank Centre) is a series of typographic illustrations – one for each of the 100 cantos of Dante’s Divine Comedy.

The 34 illustrations for The Inferno are made with Letterpress…

And the 33 illustrations for Purgatory are all made with Typewriters (and a number of coloured ribbons).

Paradise is still in progress (19 more cantos to go) and each one of those is created with Letraset.

danteggiare

June 14, 2019

Barrie’s latest Artists’ Book Danteggiare is a collection of translations into English of the first terza rima of Dante’s Inferno. It was inspired by a comment made by Chris McCabe at the National Poetry Library during the installation of The Typographic Dante exhibition.

The title is from an article written for Bookanista by Mika Provata-Carlone.

The book contains 94 translations from 1782–2018. The fact it took over 450 years to be translated into English is considered, in some part, to be due to Dante’s Catholic views being at odds with Protestant English audiences, who would have seen his vision of the afterlife as heretical.

The book is not complete – first three lines of about 20 translations currently elude Barrie. Eventually, they’ll be included in a second edition of the book – if you happen to have copies of the following editions to hand, please e-mail him and let him know what the first three lines are…

1862 William Patrick Wilkie

1895 Robert Urquhart

1898 Eugene Jacob Lee-Hamilton

1901 John Carpenter Garnier

1903 Edward Wilberforce

1911 Charles Edwin Wheeler

1914 Edith Mary Shaw

1915 Edward Joshua Edwardes

1922 Henry John Hooper

1931 Lacy Lockert

1948 Patrick Cummins

1949 Harry Morgan Ayres

1954 Howard Russell Huse

1956 Glen Levin Swiggett

1958 Mary Prentice Lillie

1962 Clara Stillman Reed

1965 William F. Ennis

1965 Aldo Maugeri